Too
much fabulosity is not a pretty thing.
Welcome to the world of James St. James, a reigning queen of New York’s
downtown club scene in decline. It is dark and snowing in Times Square and
James is barefoot in a flimsy dressing gown, hopelessly tweaked on special
K. The crying, bedraggled drag queen is not an appealing vision, but you
still want to stare.
Ostensibly, Disco Bloodbath is about James’ decade-long
friendship with superstar promoter and clubland killer Michael Alig. That
dreadful evening in Times Square ends with heroin and a movie at Alig’s
apartment, and then Alig’s confession to the murder and dismemberment of
his live-in drug dealer. How could things have spiraled so far out of
control, James wonders, and launches himself into a memoir of his 12 years
on the New York club scene.
James quickly reveals that he never really liked Alig anyway. Cattiness
caries the day, as James makes clear that Alig – credited with
engineering the ‘club kid’ phenomenon of the mid-90s – was not only
an untalented self-promoter, but his fashion sense was derivative of James’
own. Disco Bloodbath is a tour through club bathrooms and VIP
lounges with an guide as acutely aware of all the subtleties in dress
labels, posturing and social rank.
The book’s charm is in its unrelenting superficiality – James
occasionally points towards the possibility of some deeper meaning or
motivation, only to dismiss such dreary talk with a toss of the head and a
shrug of the shoulders. He would really rather just discuss the depths of
this or that drug binge or describe that party to which he wore a costume
composed entirely of meat.
It all makes for a fascinating romp, and James describes the effect of
drugs so well that this reader could feel the tingle in his own limbs.
Where Disco Bloodbath may fail as a psychological profile of a
murderer, it does make for a hell of a night out on the town.
--Stephen Siff 12/6/99
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